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PHILOSOPHY

"The duties of a teacher are neither few nor small, but they elevate the mind and give energy to the character." - Dorothea Dix

As a cello teacher, my goal is to provide high-quality, individualized instruction that meets each student where they are—technically, musically, and personally. Lessons are structured to be approachable and engaging, building technical foundations while encouraging curiosity, creativity, and a growth-oriented mindset.

I believe that a healthy learning environment must be safe, inclusive, interactive, and exploratory. Students should feel free to express themselves, make mistakes, and challenge their assumptions without fear of harsh criticism. My role is to guide them with clear, digestible instruction, meaningful repertoire, and practice strategies that promote long-term physical ease and musical fluency.

While I do work with students preparing for auditions and pursuing music seriously, I welcome anyone who is willing to learn—regardless of age or future career plans. I aim to develop each student’s confidence, musical voice, and independence, helping them cultivate a positive and present-focused mindset for both practice and performance.

I use a scaffolded approach to skill-building, combining traditional and Suzuki-based methods to reinforce consistent technique. In lessons, we shift the narrative from “don’t miss the note” to intentional thoughts like “feel the motion of the whole arm” or “listen to the pitch as you land.” This kind of language helps students become more aware of their physicality and reduce performance anxiety.

I also emphasize reflection and self-evaluation, encouraging students to describe how their bodies feel during playing and to use nonjudgmental language in their assessments. Over time, this leads to greater self-awareness and mastery. Students are taught to break down complex skills into layers, identify root challenges, and address them methodically—giving them the tools to problem-solve independently.

Ultimately, I want my students to leave every lesson with a greater sense of control over their playing and the belief that they are capable of continued growth. I see each lesson as a collaboration, and I learn just as much from my students as they do from me. As their teacher, I am committed to continually evolving—seeking out new perspectives and strategies so I can provide every student with the best possible support on their unique musical path.

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SUZUKI

The Suzuki Method Approach

More than fifty years ago, Japanese violinist Shinichi Suzuki observed that all children learn to speak their native language with ease. He believed that this natural process could be applied to learning music and developed what is now known as the Suzuki Method—or the mother-tongue approach. Key elements of this method include active parental involvement, a nurturing environment, listening and repetition, and an emphasis on learning by ear before reading music.In my studio, I take a blended approach that incorporates both Suzuki and traditional teaching methods.

 

For younger students, we begin with a Suzuki foundation, emphasizing ear training, parent involvement, and sequential learning through the Suzuki repertoire. As students grow, I gradually introduce note reading and supplemental materials tailored to their needs and interests.

 

For older beginners or continuing students, I weave Suzuki principles—such as listening, tone development, and phrasing—into a more traditional framework that includes note reading, technique studies, and varied repertoire.

 

For adult students, we may begin with the foundational techniques found in Suzuki Book 1, especially for those who are brand new to the instrument. However, I also draw from a wide range of supplemental resources to tailor instruction to each student's learning style and goals. Materials by pedagogues such as Cassia Harvey and Rick Mooney are frequently used to strengthen technique, build confidence, and introduce a broader variety of musical styles. As adults progress, we explore both Suzuki repertoire and traditional works, allowing for flexibility while maintaining a strong technical foundation.

Book Recitals

Our studio proudly incorporates the Suzuki Method, a world-renowned approach to music education that emphasizes learning by ear, daily practice, parent involvement, and the belief that every child can learn. Just like language, music is introduced in a nurturing, immersive environment that builds confidence, focus, and joy in the learning process.

A key part of the Suzuki philosophy is celebrating each step of a student’s journey, not just the final result. In our studio, students are recognized for their progress through Book Recitals—special performances held when a student completes an entire Suzuki book. These milestone events honor the dedication, effort, and consistency required to reach that point, and they give students a chance to shine in front of their family and peers.

Every achievement, whether big or small, is met with encouragement and celebration, reinforcing the idea that progress matters more than perfection.

​Suzuki Training

 

In the Summer of 2017, I travelled to the Chicago Suzuki Institute to receive my training for Book 1 in the Suzuki Program. The Institute in Chicago is know for having excellent trainers specifically for cello. My Book 1 Trainer was with Barbara Wampner. I continued my training in the Spring of 2018 and studied with Melissa Kraut from the Cleveland Institute of Music when she came to Stillwater for our Cellofest. I continued my cello training with Shu-Yi Scott in Spring of 2020 for Units 3 through 6. Shu-Yi was very foundational in guiding students through the entire repetoire. I hope to complete all 8 books and additional training throughout my music career. Here is a breakdown of all the training I have received:​

Book 1: Barbara Wampner

Book 2: Melissa Kraut

Book 3: Shu-Yi Scott

Book 4: Shu-Yi Scott

Book 5: Shu-Yi Scott

Book 6: Shu-Yi Scott

Teaching Strategies: Shu-Yi Scott

Multi-Level Group Class: Shu-Yi Scott

Suzuki Principles in Action(SPA): Patricia D'Ercole

© 2023 by SAMANTHA KERNS.

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